part 2 of the series of 3 eps unraveling unreleased classic house tracks by stefan goldmann. victoriaville continues its research into stefan goldmanns sweet back catalogue with a triple vinyl series of never before released house material. revisiting the years 2000 - 2005, >emptying the vaults< highlights the era of stefan goldmanns “uk years. often his actual releases with classic, ovum and front room reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, heres some startling evidence of how deep the roots of house actually were in berlin years before the still ongoing hype set in. >ghost revisited< and >crack it< build on lush house grooves, while >heatwave< leans to the dub side of things. enjoy and look out for part 3!

self defence returns in full effect with new yorks one and only dj dukes (of sex trax / power music fame) >summer madness ep<. dj duke had retired from the music front for a while, after he had about 300 records emerged after his >blow your whistle< blew up in 1993 and during the past few years. with releases dating back to 1990, you know the mans got skills aplenty, and they once again get a killer workout on this ep. each of the tracks shows a different side of his music-making and rewards ones time and attention, demonstrating that duke plays in his own league of house music. a bit of curry flavour seeps into >summer blast< by way of a sinuous string melody, adding an exotic tinge to the breeziness that otherwise infuses the cut. a funky, vibes-like motif and analog synth streams bring additional colour to the scene while a crisp, pumping groove locks everything solidly in place

supported and played by: seth troxler, anja schneider, adultnapper, anthony collins, audiofly, daria, deetron, franck roger, julien chaptal, kabale & liebe, lee jones, marco resmann, matt star, silicone soul, stacey pullen, .... the yangango ep shows you two faces. on the a side with the deeper cut >too big to fail< and on the b side through the bassline driven and euphoric title track >yangango<. both tunes are quite complex and geniusly arranged and at one point you can fly away on their crazy dynamic. the digitaline edit of >too big to fail< puts a new groove in front, takes it a bit more on the tooly side and highlights the fantastic synth work of the original mix.

ltd 2011 repress , exclusive for decks.de !! vol 5 with more prime time action !! hot minimal techhouse / techno ala ideal audio !!

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

number 1 in a series of 3 eps unraveling unreleased classic house tracks by stefan goldmann. victoriaville continues its research into stefan goldmanns sweet back catalogue with the world premiere of a triple vinyl series of never before released house material. revisiting the years 2000 - 2005, emptying the vaults highlights the era of stefan goldmanns uk years. often his actual releases with classic, ovum and front room reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, heres some startling evidence of how deep the roots of house actually were in berlin years before the still ongoing hype set in. >cirque mecanique< is a throbbing groove work out with a dark edge, while >warm rush< brings sweet & pure deepness. >true dub< is an unreleased alternative version to 2002s >true< single - no vocals, just bass. enjoy and look out for parts 2 & 3!

a brand new hotly anticipated ep from us based producer milyoo entitled >kazaduon< ep. since his fantastic debut on subeenas opit label things have been relatively quiet on the release front for milyoo but he is back with his finest output to date and its available to purchase right now.
limited edition vinyl pressing – with support from the likes of laurent garnier, angel molina, karl moestl, bunzer0, rob booth, the black dog, james mountain and more …

in its original incarnation, shit robots -losing my patience- – a choice cut from 2010s from the cradle to the rave — strikes a balance between iciness and warmth, with hot chip frontman alexis taylors soulful vocals melting the tracks frosty synthlines. now, hot chip and unabombers remix the track and redefine its feel. hot chips new take on the single mystifies the original with deeply cut grooves, squelching bass and taylors heartbreaking, trilling vocals, pushed to lonesome front and center. the whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. the uks unabombers – the dj duo of luke cowdrey and justin crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the songs midpoint. the dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and taylors vocalizations set on repeat, like a mantra urging party goers to the dancefloor

the first immerse release of 2011 sees the label taking on a fresh approach while retaining the same atmospherics that have made it an essential fixture in the bristol music canon. outboxx are made up of jacob martin and matt lambert, and their sound is rooted in groovy, analogue house music. with an emphasis on jamming, theres a loose, live feel to these tracks that has an instant appeal but drags you deeper with each listen. >kate libby< kicks off on a swung beat and warm pads, before dropping down to p-funk bass and sparse synth flourishes. >berties groove< places jazzy rhodes playing at the front of the mix with a classic drum machine workout ticking away in the background. this is soulful, authentic house music with not a clinical midi pattern in earshot. despite coming from a different angle, the outboxx tracks slip neatly into the immerse legacy thus far, pointing the way for a year filled with more of the spacious, haunting club music the label has become renowned for.

massive cosmic / disco / balearic edits

limited backstock, old skool classics.

strong quality trentemoller bag-- front and back print - into the great wide yonder - trentemoller

highly anticipated first time re-issue of the super rare soundtrack of swiss film >l oeil bleu<. originally released in 1968 by soundel records and pressed at only 300 copies. >l oeil bleu< delivers a mix of psychelic pop, acid folk and jazz groove. it also includes a few monster break beats. the soundtrack is now re-issued on flow motion, a new swiss label specialized in highly collectible swiss records from the late 60s and early 70s. a must have for all break beat collectors and psychedelic soundtrack lovers. limited to 700 and selling fast! 180g virgin vinyl, original cover artwork, includes insert with replica of the original poster on the front and liner notes by film director jacques sandoz in french and english.

summer has come early. the fog is literally lifting and willing the summer to come early with this excellent ep for metroline. lead track diggler’s job is a breezy house number with pimping keys and a beautiful bass bounce. there’s plenty of movement in the percussion and a light touch that just begs for summer to come. shout romance is a shade tougher with its up-front kicks and acid-tinged bassline. it has slow burn intensity that is nicely counterbalanced by smooth reverb-soaked vintage synths.the jackspot remix of shout romance really brings out the funk in those synths, underpinning that with down-the line percussion and skittering hats that give the track a real drive. rounding things up nicely is in the right mood. the track’s bassline is sticky, sweet treacle over which congas and vocal cuts are expertly sprinkled to create a tasty treat. it never gets sickly though… horns are deployed sparingly, and the track has the same cool as a cucumber minimalism that makes this ep pure pleasure on the eardrums

with no rest for the wicked, label exclusive artist ladzinski is back for 2011 with a solo ep jammed pack full of up front house tracks.just like that is boes most dance floor focused ep in a while with jacking 808 drum rhythms, soaring pads and plenty of hands in the air moments. all night is a true groove-a-thon that hardly lets the beat go during its nine-minute length. its a more conventional sound pushing towards tech house territory but the classic 808 drums and bouncy syncopated chords give it a fresh breath of chicago deepness..

poker flat continues to roar ahead into 2011 with a seriously jam-packed new compilation on cd and vinyl, featuring only brand new and exclusive tracks entitled >forward to the past<. according to label boss steve bug it renders homage to the period between >85 and 92<, traversing the heady sounds of chicago house, acid, new york house and early detroit techno. this exclusive 2 track single, taken from the compilation features steve bug and martin landskys supreme tracks in a celebration that >jack is back<! opening the selection steve bug puts on his jackin shoes in >jack is back< - a classic chicago jack-a-thon in the purest form. tight analog drums and synths work up a storm just like bug would have done back in the days. fellow front disc-jockey martin landsky provides a sumptuous deep house vision with >v2u<. the man is always on form and this doesnt disappoint, fusing old-school drums and basslines with a modern head for the floor

nice t-shirt with imprints at the front (100% cotton)

nice t-shirt with imprints at the front (100% cotton)

for fans of nein mann ... i m dancing in front of speakers like a robot….! the nightworker s new single -roboter- + a remix of keira. b-side contains a track of the nightworker feat. niklas on sax -gitano- with relaxed sound of saxophone and guitar.

after the huge success of the catalogue number 005, formatic records has carved the next dance board. the beginning of the new year gives thanks to the constructing dj madskillz- presenting the bottom of a noble carnival-wagon, which drills itself through the castle walls of lethargy like a trojan horse. behind it the client in person jumps out of the bellies strong vehicle and brings the format:b remix, making even more tumult in the- without a doubt from luck traced- party bodies. the communal phenomenon that dj madskillz describes as >carnival chaos< is also being picked up by ramon tapia, who (as usual) bits the celebrating horse from behind making it spit fire in front during peak-time. a movement with pyrotechnical potential in the yet young post new-years-eve-2010-era. cheers!

strait out of bass camp, vicious audio begins its assault with a massive single by triage. two big tunes carved with the signature sound that has brought the group to the front lines of battle. drawing inspiration from their drum and bass roots, >comorbid< is a nice roller stabbing you with snares and punching you with bass. if you survive this, the evil flip side >play dead< will slap you around with some heavy, twisted, subsonic madness.

big with: nick curly, laurent garnier, sebo k, jackmate, radio slave, ripperton, deetron, anja schneider, anthony collins, gregor tresher, mathias kaden, paul woolford, brothers vibe, arnaud le texier, reboot, martinez,... all thirteen releases of the label to date have have showcased the talent of a solo artist, but today five are welcomed for what is not only their label debuts, but also a first >v/a< release for bass culture records. danny fiddo & jm aboga lead from the front with >evil intentions<, which strangely enough, with its smooth feel good vibes, is anything but. fiddo needs little introduction. as a resident of valencias barraca club, he has shared the dj booth with the worlds biggest names, and his music has already found a home on labels including buzzin fly, rekids, ovum and barraca. fellow valencian jose maria, has also resided in the house of barraca. his solo production work can be found on time has changed and novo music, and together with fiddo, the pair have released on fumakilla and monique. fabio giannelli demonstrates just how much his production style has matured on the beautifully cultured, >leitmotiv<. fabio has, over the past three years, become one of italys finest house music exp

very special and artful logo at the front, warm hoody (black, 80% cotton, 20% polyester)

mysterious shadows, sensual formations and intransparent depths rewrite the fourth baud release of ryo murakami from tokyo. the a-side is launched by the title track >underworld<, which is evident in an appealing soundscape by classical and contemporary dub elements. also on the front side is the playful >night dew<. swirled iridescent synths attend to the atmospheric and unexplored morning dew. >closer< opens the b-side with a gentle, bubbling acidline that rounds off the background with jacking swinging moments. like an enchanted, dark veil >fog< appears on the back side, by building up strings into unsearchable depths

anthony mansfield and tal m. klein drop a hot 3-tracker for nick chaconas hector works imprint.

this is one of a limited run of unique prints to commemorate the release of the new badly drawn boy single *too many miracles*. each print has an individual image of badly drawn boy on the front, taken on a reportage style photo shoot in august 2010. the album version of *too many miracles* is on the album *it s what i m thinking part one - photographing snowflakes*, released on damons own new label, one last fruit.
please visit www.toomanymiracles.co.uk/olf002tmm and enter your details to pick up a download including the single and an exclusive bonus track of *shake the rollercoaster (2010 recording)*. the original version of the bonus track appeared on *ep1*. the new version was recorded during the sessions for the new album.

another debut for the new bass culture release. for bcr013, we welcome swedens joel alter. as a trained violinist and composer for the swedish national theatre, joels first steps into the world of electronic composition came with an exotic mixture of classical influence and modern inspiration, from acts such as depeche mode, jean-michel jarre and front 242. a key figure on the swedish music scene since 1995, joel has always seen his music as stemming from the meeting of a variety of artforms. his first steps onto the international circuit came with the signing of material to int. deejay gigolo and minus. since then, he has developed a strong relationship with hamburg label, room with a view, featuring on seven releases since early 2009, as well as releasing on berlin based label sweatshop...

icelandic president bongo, founding member and front shouter of legendary gus gus, meets up with french disco resistance dop, who just released their debut album >greatest hits< with a big orchestral bang. the outcome: a psychopathic dub stomper - >gossip rats< to the dancefloor please!

reissue from this incredible disco-funk album, originally released in 1985 on engineered for sound. the original is impossible to get now and gooes for $$$ on ebay and the likes. a total must for those into dam-funk, james pants and the likes. comes with reccommendations and write-ups from dam-funk and nite jewel on the front (in the form of a sticker - placed on the plastic protection sleeve). cleaned and remastered from the original tracks. comes with original artwork and including a lyrics sheet.

including the neon judgement >tv treated<, fierce ruling diva >atomic slide<, front 242 >no shuffle< and drax ltd. ii >amphetamine<.

>in the absence of gravity please note the position of the sun / loosely based on bees< is a vinyl-only release featuring two side-long tracks and is packaged in an lp jacket with beautiful letter-pressed artwork hand-pasted to the front and back.

early support by: marcus meinhardt, the glitz, stephan bodzin, emerson, mihalis safras and many, many more its time to say goodbye! the sixth and last part from first cascandy collection comes along with two massive a-side tracks.collection one is finished and this is the last part of the puzzle! collect the first 6 releases and you can compose a big single artwork out of them. every cover artwork is a piece of the puzzle to get the overall picture on your wall. be a part!

with this release sinan kaya, an istanbul based dj and producer, is becoming a fresh member of the berlin tonkind crew. since 2001 his passion became also his profession, which he continuously dispread with dj-ing and scores of releases across the bosporus over to europe. his productions and sets can be defined as deep and playful. so aswell this release, which comes up with three variable tracks. something else in the front, shows sinan kayas touch for the impulsive sound.this track becomes a real trip on the dance floor and reflects a farsighted feeling for elctronic dance music. on the fells operates more the minimal genre and adepts a symbiosis of many samples, a duby bass and a bumpy rollin groove. as last but not least there is bloom, a rather charming and friendly tech/ deep house track consisting all required ingredients to make it work as dance floor teaser. in all three tracks its possible to notice some eclectic material of jazz, funk, chigago and jackin fragments put together to a unique sound and providing a different vision for life

cool front and back printed serial killaz logo shirt cool

volume 4 in the wh a t c h awa n n a d o disco edit series features two artists from the new school disco sound that have contributed remixes for the likes of dfa & rong. first up is southern californias wes coats with an african tinged disco groover that will surely tear up dancefloors from london to soweto. the flipside is turned into a 10-minute gospel house/disco anthem by frances blackjoy that will be the perfect closing song for clubs around the world.
>finally there seems to be someone doing some actual a&r work on the re-edit front! those are all solid. havent seen that happen in about 10 years of meaningless re-edit releases!< - dimitri from paris

super limited 12 inch in screen printed sleeve with bing ji ling and barck+prommer remixes ... limited to just 300 copies, pressed on delicious 180 gram vinyl and presented in a silk-screen printed sleeve, >make you mine< is quite the 12 inch to get your hands on this autumn! the opening track of incarnations forthcoming debut album >with all due respect< is a sundrenched balearic bomb if ever there was one. handsome threesome daniel collas, quinn luke (akabing ji ling) and bart davenport soaked up all the good vibes of the tarifa studio on the south-coast of spain, just in front of africa, where the mediterranean sea and the atlantic ocean meet, and transformed them into little over three-and-a-half minutes of pure loving goodness, reminiscent of the 70s west coast sounds among many other things. on remix duties we have christian prommer and alex >jazzanova< barck taking the track into the late night territory with an epic deep-house stormer, while bing ji ling makes those lazy sofa surfers get up and boogie while the sun is setting with a strong ny flavour.

first release on the new label from dave ellesmere intacto / rekids / thirtyonetwenty sees simone burrini kicking it up with a massive floorfilling peak time monster ai ai !.... on the rmx front we have romano alfieri & marco effe 2 of italys major upcoming stars ... who slow things down a little but still keep it solid and pumping in their own inimitable style! to round things off simone offers up to love. lovely deep summer vibes

girls love it hard !!

with a special imprint at the front (white, 100% cotton)

with a special imprint at the front (white, 100% cotton)

great looking shirt with front- and backprint (100% cotton)

soulful downbeats by m.u.g and stella, remixed by the popular peoples front.

fine shirt with a big front imprint (100% cotton)

fine shirt with a big front imprint (100% cotton)

fine shirt with a big front imprint and one small at the back side(100% cotton)

fine shirt with a big front imprint and one small at the back side(100% cotton)

detroit artist jason fine is back with a follow up to his critically acclaimed future thought album. the master of the introspective and personal techno sound gives us another killer release, once again transforming daily life experience into beautiful and moving deep techno and house. jason fine continues to play around with layered melodies and harmony mixed with raw and funky drum programming. the ep opens with the track orange, a beautiful monotone organ based techno track, revealing hard times. violet continues in the same vein. blue melodies play around over minor organ chords and heavy kick drum. on the inner tracks blue and red jason with confidence moves into the electro territory, still keeping emotion and atmosphere up front. even though the concept behind this ep is the full color spectrum, the mood is all over blue.